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I began my career in photography in the mid-1960s on newspapers. Leica cameras and B+W film. Chemicals. Rush for news pics. Since those young days I have gone on to become a field archaeologist and specialist photographer. Archaeological photography is demanding.
I will not speak about the importance of photographing a large
section of stratigraphy or the necessity of capturing, with correct
verticals, a 25 metre-long drystone wall, stone by stone ... to do
justice to the craftsmen who built it. Now to be demolished. Most of
my work is for archival purposes. Everything is shot in RAW and
converted to TIFF and DVDs are then supplied to clients and
Government heritage departments. So. I downloaded the trial of STOIC PanoramaMaker. I decided to give it a hard test. Friends of ours ran a cafe in our small town and were retiring and selling the business. An emotional time. It was a brief set-up. I asked Bill and Doreen to hold hands and stand behind the main counter. I set a Nikon D200 to ISO 400 and shot five frames - hard left, medium, straight on, medium, hard right. All hand held. All over-lapping. Available light. For the second sequence of five frames, I used an SB-600 strobe set on around 70mm to spotlight the couple. I later rejected this frame because of highlights on the woman's
spectacles. I processed the first five frames using STOIC
PanoramaMaker - and was astounded at the result. This was a rough
and brutal test. The program delivered. Tony Jenner, archeologist, Australia.
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